February 18, 2012
You know, just commutin’ (e non avere neanche i fanali per lampeggiare)

You know, just commutin’ (e non avere neanche i fanali per lampeggiare)

(via turboderek)

February 18, 2012
You know, just commutin’ (via petapeta:img_473488_24165669_0?1267804672)

You know, just commutin’ (via petapeta:img_473488_24165669_0?1267804672)

(via miaohaus)

February 13, 2012
nevver:

Wet/Dry

nevver:

Wet/Dry

(via arrozconlechedesign)

February 13, 2012
mainart:

Street art by Ibon Mainar

mainart:

Street art by Ibon Mainar

(via sisifo)

February 10, 2012

(Source: nevver, via letsdoitadada)

February 8, 2012
turboderek:

 
Englishman Raymond Mays was an avid racer and through a deal with a Bugatti importer he managed to finagle himself a Type 13 to go racing with. He was so obsessed with performance that he had the engine tuned an order of magnitude higher that it could reasonably handle (6,000rpm), which resulted in the above mechanical failure. 
His luck wasn’t totally absent though, the 660 lb (300 kg) car remained upright and skidded to a halt just inches from a precipice that would have almost certainly killed him had he gone over.
Read more via Bugatti.com

turboderek:

Englishman Raymond Mays was an avid racer and through a deal with a Bugatti importer he managed to finagle himself a Type 13 to go racing with. He was so obsessed with performance that he had the engine tuned an order of magnitude higher that it could reasonably handle (6,000rpm), which resulted in the above mechanical failure. 

His luck wasn’t totally absent though, the 660 lb (300 kg) car remained upright and skidded to a halt just inches from a precipice that would have almost certainly killed him had he gone over.

Read more via Bugatti.com

February 1, 2012
peterfromtexas:

Italians

peterfromtexas:

Italians

(Source: pedroam-amigomio, via curiositasmundi)

January 14, 2012
Censorship tells the wrong story (via eriatarka)

Censorship tells the wrong story (via eriatarka)

January 14, 2012
life:

LIFE’s photographers were as celebrated for their photojournalistic chops as for the imaginative methods they devised for illustrating what might otherwise have been mundane or utterly straightforward stories…
To shoot hammer thrower Ed Bagdonis during the U.S. Olympic trials in Squaw Valley, Calif., in 1960, George Silk placed a photo-finish camera next to the throwing platform. The athlete’s circular motion gave him the appearance of having four arms and four legs.
(see more innovative LIFE photos here)

life:

LIFE’s photographers were as celebrated for their photojournalistic chops as for the imaginative methods they devised for illustrating what might otherwise have been mundane or utterly straightforward stories…

To shoot hammer thrower Ed Bagdonis during the U.S. Olympic trials in Squaw Valley, Calif., in 1960, George Silk placed a photo-finish camera next to the throwing platform. The athlete’s circular motion gave him the appearance of having four arms and four legs.

(see more innovative LIFE photos here)

December 10, 2011
(via giannibugnosagace)

(via giannibugnosagace)

(Source: lokalrunde)

December 3, 2011

(Source: mlktoscl)

October 29, 2011
thesuncoastclassiclifestyle:

‘58 Hailwood at Thruxton

Mike The Bike (questo a momenti tocca il gomito, con quelle gomme!)

thesuncoastclassiclifestyle:

‘58 Hailwood at Thruxton

Mike The Bike (questo a momenti tocca il gomito, con quelle gomme!)

(Source: habermannandsons, via mulgo-meta)

October 24, 2011
Ma come, ma dove, ma checcazzo?

Non posso stare via un weekend che muore Simoncelli?

October 1, 2011

(via daizydaizy)

October 1, 2011
paradiseisnowhere:allegriaportamivia / lazymusician4life / flashlightdream

paradiseisnowhere:allegriaportamivia / lazymusician4life / flashlightdream

Care to buy me a coffee?